"In 2016, where an always-connected generation screams for attention through new, often contrived definitions of “cool” and surprisingly predictable proclamations of uniqueness, singer and spoken word artist Tony Adamo arrives seemingly from nowhere as a true anachronism: a performer who is authentically “cool” in a timeless, almost reckless way that almost no popular artist today can match." SOULTRACKS
Friday, September 28, 2012
Thursday, September 27, 2012
Saturday, September 15, 2012
Thursday, September 13, 2012
Tony Adamo's Tickin Clock
Sunday, September 2, 2012
Mike Clark Tim Ouimette Michael Wolff Jon Burr/ HeadLine @ Silver Lining
Website: http://www.mikeclarkmusic.com/home.html
Mike Clark Tim Ouimette Michael Wolff Jon Burr/ HeadLine @ Silver Lining
Frank Black/ A Doubleleft Hook PR/NY NY
Thursday Sept. 6
8PM
Silver Lining
75 Murray St.
New York, NY
MIKE CLARK/ gained worldwide recognition as one of America’s foremost jazz and funk drummers while playing with Herbie Hancock’s group in the early 1970’s. Mike became known as a major innovator through his incisive playing on Hancock’s Thrust album.
Tim Ouimette/ has played trumpet for The Count Basie Orchestra, Keith Richard, Kenwood Dennard's Jaco-Fest, Ray Charles, They Might Be Gants, Judy Collins, Blood, Sweat and Tears, Cab Calloway Orchestra, Machito, Ray Barretto, Mario Bauza, Chico O'Farill, The 4 Tops, The Temptations.
Michael Wolff/With the release of Joe's Strut, pianist/composer Michael Wolff has been hailed as "one of the most engaging all-around performers in the jazz game" (Oakland Tribune). His performances bring a strong mix of straight-ahead original instrumental jazz and a foot-stomping funky New Orleans vibe. JAZZTIMES magazine praises Wolff as "a musical renaissance man."
Jon Burr/
"Newcomer Jon Burr...is a technical master, for whom `In a Sentimental Mood' and `Blue Monk' were perfect frameworks."—Leonard Feather, Los Angeles Times/ "Could hardly have asked for better...Burr was always where he needed to be, his bass lines filled with big, fat bottom notes, his solos bringing the perspective of a high-technique, contemporary improvisational style to a straight-ahead jazz setting.”—Don Heckman, Los Angeles Times
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